Daufenbach Camera

Mon-Fri: 9am-5pm

Phone: 312.226.0042

Email: rentals@daufenbachcamera.com

320 N. Damen Ave, Chicago IL 60612

You have 00 items in your quote request.
Sony F55 This isn't voodoo. It's Blackmagic. Get ready for some tricks
F55 F55 F55

Features of the Sony F55

The Sony F55 is a next-generation camera for current-generation users. With full 4K, the largest color gamut of any cinema camera, and optional RAW recording, the F55 is a formidable new entry into the world of digital cinema.

  • XAVC 4K up to 60p
  • 14 stops dynamic range
  • SxS recording onboard
  • XAVC, MPEG2, MPEG4, and RAW
  • Pl Lens mount
  • 4K RAW recorder
  • Under 5 lbs!
  • Huge color gamut
  • Easy to use menu interface

F55 Package
CAMERA BODY
  • Sony F55 body
  • Viewfinder
  • AXS-R5 Recorder
MEDIA
  • 2 SxS cards
  • 2 512GB drives
  • 2 512GB drives
  • Card reader
POWER
  • 4 Batteries
ADD TO QUOTE

Not everything you're look for? Use the section below to add additional gear.

 

AJA Gen10 Sync Box

Sync multiple cameras for 3D and visual effects
  • HD Tri-level sync generation
  • Two groups of independently switchable outputs allows simultaneous HD and SD sync generation
  • Assignable in two groups to either HD or SD (4 BNCs: Outputs 1 through 4, 2 BNCs: Outputs 5 through 6)
  • Power Supply Range: 5-18VDC
  • External Dip Switch Configuration
 

AJA HI5 HD-SDI to HDMI

Split your camera signal allowing for multiple client/director monitors.
  • SDI or HD-SDI to HDMI for driving HDMI monitors
  • Output HDMI with embedded audio, 24-bit (selectable by internal jumper: 2 or 8 channels)
  • Audio in/out also 2 channel RCA-style outputs at -10dBV (nominal), Ch. 1 and 2
  • 1 Looping SDI/HD-SDI output of the SDI input (for "Daisy Chain")
  • Input SMPTE-259/274/292/296 SDI/HD-SDI, 1 x BNC
  • Size: 4.6" x 2.4" x 1" (117 x 61 x 25mm)
 

AJA HD5DA 1x4 HD-SDI Distribution Amplifier

The HD5DA is a miniature, 1x4 HD-SDI/SDI distribution amplifier/repeater
  • Auto Input
  • Small Footprint
  • Four seperately buffered HD-SDI outputs
  • Power via V-Mount or Gold Mount
 

BlackMagic SDI to HDMI

More options for splitting your camera signal, to allow for multiple client/director monitors.
  • SD, HD and SDI (3 Gb/s) video input
  • 2 channels of professional balanced analog or digital audio with standard 1/4 inch jack connections
  • SDI Redundant input Automatically switches over if main SDI input is lost
  • Auto detection of HD or standard definition SDI inputs
 

AJA KiPRO

A tapeless video recording device that creates high-quality Apple ProRes 422 QuickTime files on a computer-friendly Storage Module.
  • SD and HD-SDI (1xBNC), HDMI Digital Inputs and Outputs
  • SD/HD Component (3xBNCS) Analog Inputs adn Outouts
  • Embeded digital audio and Anolog Dual XLR audio inputs and outputs
  • Network capable
  • LTC timecode input and output via BNC
  • Records to all flavors of ProRess
 

Denecke SB-T Timecode Box

Efficiently read, generate and jam timecode.
  • Input: -15dB @ 4.7K; 1/80 mini phone jack
  • TCXO Crystal: +/- 1PPM @ -30¼ to +75¼ C
  • Battery Power: 3 Alkaline Batteries Battery Life: 48+ Hours
  • External Power: 5.7v to 16v DC
  • 2 Video Outputs: Composite: (PAL and NSTC) and Trilevel: (All 1920 x 1080 Formats and 1280 x 720 formats)
  • Size: 4.4750 x 2.9000 x 1.0500
  • Weight: .750 pounds (with batteries)
 

 

 

EF 8-15mm f4.0 Fisheye USM EW-77 / Gelatin

 

EF 16-35mm f/2.8L II USM EW-88 / 82mm

 

EF 24-70mm f/2.8L USM EW-83F / 77mm

 

EF 24-105mm f/4.0 IS USM EW-83H / 77mm

 

EF 28-135mm f/3.5-5.6 IS USM EW-78BII / 72mm

 

EF 70-200mm f/2.8L IS USM ET-87 / 77mm

 

EF 70-200mm f/2.8L IS USM ET-86 / 77mm II (New Style)

 

EF 100-400mm f4.5-5.6L IS USM ET-83C / 77mm

 
 

EF 14mm f/2.8 L II USM BI Hood / DI Gel Filters

 

EF 15mm f2.8 Fisheye Gelatin only

 

EF 20mm f2.8 USM EW-75II / 72mm

 

EF 24mm f/1.4 USM EW-83DII / 77mm

 

EF 28mm f/1.8 USM EW63II / 58mm

 

EF 35mm f/1.4L USM EW-78C / 72mm

 

EF 50mm f/1.2 USM ES-78 / 72mm

 

EF 85mm f1.2L II USM ES-79II / 72mm

 

EF 100mm f/2.8 USM ET-73 / 67mm MACRO

 

EF 100mm f/2.8 IS USM ET-67 / 58mm MACRO II (New Style)

 

EF 135mm f/2.0L USM ET-78II / 72mm

 

EF 200mm f/2.8 II USM ET-83BII / 72mm

 

EF 300mm f/2.8L IS USM ET-120 / 52DI

 

EF 400mm f/2.8 IS USM 77mm


 

InterValometer TC-80N3

 

Extender EF 2x III

   
 
 
 
 
 
 
 

 

Arri FF4 Follow Focus

Surgically control camera focus, smoothly and efficiently.
  • Compatible with 19mm, 15mm or 15mm-lightweight rods.
  • Includes whip, speed crank, and dumb-side wheel
  • No "play" gearing
  • Interchangeable pitch gears
  • Quick release mounting
 

Arri MFF-2 Follow Focus

The smaller and lighter way to control focus
  • Compatible with 15mm-lightweight rods.
  • Includes whip, speed crank
  • No "play" gearing
  • Interchangeable pitch gears
  • Quick release mounting
 

Redrock microTape

Redrock microTape real-time range finder for focus assist.
  • Can be used safely on any type of subject (objects, animals, people, etc)
  • Can be mounted directly on the camera rig
 

Preston Light Ranger 2

Light Ranger 2 Advanced Rangefinder
  • Simultaneously measures distances along 16 horizontally arranged detection zones.
  • Can be mounted directly on the camera.
  • Interfaces with Preston Wireless Follow Focuses
 

Cinetape Measure System

Precisely measure the changing distance between your actor and the camera.
  • Continuous camera to subject measurement
  • Ultra-sonic technology is invisible to camera
 

Preston FIZ 1 Wireless Follow Focus

It is a classic that AC's have trusted for years.
  • Wireless control
 

Arri WCU-4 Wireless Follow Focus

Arri's premier WFF, perfect for Alexa
  • Wireless control
  • Hand unit weighs only 1.7LBs
  • Can connect directly to Alexa Mini
  • Full FIZ control
 

Preston Microforce Digital 2

Directly drives digital motors.
  • Programmable soft stops
  • Speed control knob with a digital readout
  • Automatic lens calibration
  • Electronic limit setting
  • Bright led displays of zoom position and speed setting
  • Power Requirements: 12 - 28 VDC

Bartech Wireless Follow Focus

An industry standard for over a decade
  • 900 MHz Data Transmission, 8 Selectable Sub-channels
  • Rotary Style Control Module That Can Lock Together to Other Units For Multichannel Operation (Focus unit shown)
  • Interchangeable 1 Channel Receiver/Amplifier Modules, each with Remote Camera Run Outputs
  • Fast, Simple One-Pass Manual Lens Calibration
 

CMOTION Cvolution Wireless Lens Control System

Achieve and repeat the perfect pull, time and time again.
  • Allows control of up to 8 motors
  • Synchronized focus, iris, zoom and 3D capable
  • 32 points of lens matching per scale
  • Synchronized camera start/stop
  • IO and convergence control option
  • Wireless picture option
  • Intelligent lens data display option
  • Fps and depth of field ramping option
  • Autofocus option with cfinder or cinetape
  • Daufenbach Camera owns the first system to be sold in America!
 

Preston FIZ 3

Rugged. Tough. Reliable.
  • Wireless focus, iris, zoom
  • Powerful motors
  • Long range

 

Arri MB14 Matte Box

Flag, mask, and filter out the hazards of a volatile world.
  • (4) 6" x 6" filter holders
  • 18mm - 180mm mask set
  • Swing away rod mount
 

Arri MB18 Matte Box

Flag, mask, and filter out the hazards of a volatile world.
  • (3) 4x5.65"
  • Swing away design
 

Arri MB19 Matte Box

Ideal for smaller DSLR cameras.
  • (3) 4x5.65"- 2 rotating, 1 fixed
  • (1) 138mm circular filter tray
  • Can mount with lightweight 15mm support rods or studio 19mm support rods
  • Swing away design
 

Arri MB20II Matte Box

Flag, mask, and filter out the hazards of a volatile world.
  • (3) fully rotatable 4" x 5.65" filter stages
  • (1) 138mm circular filter tray
  • Swing away rod mount
   
 
 
 
 
 
 
 

 

RedVolt Battery

Ultra-portable power.
  • Powers the Red Epic for 30 minutes
 

Anton Bauer Dionic HC Battery

Lightweight power for universal applications.

  • No TSA travel Restrictions
  • Size: 4.06 x 5.46 x 2.34 inches (10.31 x 13.87 x 5.94 cm)
  • Weight: 1.8lbs (0.8kg)
  • 14.4v 91Wh; (Nominal 91 Wh; Typical 83 Wh) Li Ion Battery
  • RealTime LCD Display
 

Anton Bauer Power Kit

Keep your production charged, four batteries at a time.
  • Charges Dionic HC Batteries
  • Quad TM4 Charger
  • 70 watt power supply
  • Simultaneous, interactive, four-position charger
 

Anton Bauer VCLX Cine Block Battery

Exponentially more powerful and longer lasting super-duty batteries.
  • Size: 10.00 x 12.75 x 5.50 inch (25.40 x 32.39 x 13.97 cm)
  • Weight: 25.0 lbs (11.3 kg)
  • Power Outputs: (2) 4p XLR for 14.4v and (1) 3p XLR for 28v
  • Provides Dual simultaneous outputs (20 amps@ 14.4v ; 12 amps @28v)
  • Realtime life display
 

Panasonic VW-VBG6 Lithium-Ion Battery

Compact and compatible with any Panasonic camera.
  • Output Voltage 7.2V
  • Capacity 5400mAh
 

Panasonic Battery Charger

 

Anton Bauer T2 Fast Charger

Sometimes you want to get double charged.

  • Meets regulatory requirements, including CE and FCC
  • Size: 9.25 x 3.25 x 8.5 inches (23.5 x 8.26 x 21.6 cm)
  • Weight: 2.9lbs (1.3kg)
  • 2-Position Simultaneous Fast Charging
  • Charges all Anton Bauer Logic Series batteries
 

Anton Bauer TM4 Quad Charger

This four position simultaneous, fast charger is designed to reliably energize Anton/Bauer Logic Series Batteries
  • Weight: 5.0 lbs (2.3 kg)
  • 70 Watt, 16VDC Power Supply Output
  • 4 Position Simultaneous Fast Charging
  • Remote USB software upgrade capability
  • Compatible with any Anton/Bauer Logic Series battery
 

Anton Bauer Quad 2702 Charger

Sequentially fast-charge any combination of Anton/Bauer Logic Batteries using the advanced InterActive system, roughly the size of a laptop.
  • Weight: 4.1 lbs (1.9 kg)
  • 4 position sequential charging
  • 70 Watt, 16VDC Power Supply Output
  • Multi-function LCD readout
  • Compatible with any Anton/Bauer Logic Series battery
 

RedVolt Travel Charger

Keep your RedVolts charged and ready to go.
  • Typical time to full charge is 2 hours
 

Anton Bauer QBH-HD Battery Module

A hendheld accessory allowing you to combine multiple batteries for more power, longer.
  • Outputs to both 14.4 and 28.8 Volts simultaneously
  • Three 4pin XLR outputs(14.4v)
  • A 2pin Amphenol output (28.8V)
  • Weight: 2lbs (0.9kg)
 

CyberPower 8-Outlet Uninterruptible Power Supply

 

Frezzi Universal Juicebox Power Supply

The Universal Juicebox is the most powerful and versatile AC power supply in the industry.
  • Delivers both 14.4v and 28v simultaneously
  • Ideal for use with a variety of cameras, monitors, lights and other equipment
 

 

Ronford Baker Quick Release Plate

Quickly move between different setups.
  • Works with many tripod systems.
 

O'Connor 1030D Fluid Head (Mitchell)

Designed for a seamless transition from heavier to lighter camera setups.
  • 100mm Mitchell Base
  • Capacity: 30 lbs (13.6 kg)
  • +/- 90 Degree Tilt Range
  • Stepless, ultra-smooth pan and tilt fluid drag
 

O'Connor 2060HD Fluid Head (Mitchell)

Designed to give you the ultimate control and stability over your camera moves.
  • 150mm Mitchell Base
  • Capacity: 83lbs (37.7kg)
  • +/- 90 Degree Tilt Range
  • O'Connor's patented sinusoidal counterbalance system
  • Stepless, ultra-smooth pan and tilt fluid drag
 

O'Connor 120EX Fluid Head (Mitchell)

Super-duty and ultra smooth.
  • Collapsible crank knob and digital readout make counterbalancing the payload easy
  • New sideload mechanism features a push-and-turn knob for precise adjustment of the fore/aft platform
  • Capacity: 240 lbs. (109 kg)
  • 150mm Mitchell Base
  • +/- 90 Degree Tilt Range
 

Sachtler Video 15 SB Fluid Head

Self-illuminated Touch Bubbles for easy leveling.
  • Supports 2-35 lbs
  • 100mm bowl fluid head
  • Weight is 15.6 lbs
 

Sachtler 7+7 Studio II Fluid Head

  • Heavy Duty construction
  • Capacity: 110 pounds
  • +/- 75 Degree Tilt Range
 

Ronford-Baker Standards (Mitchell)

Designed for full studio, video, and all 35mm and 65mm film cameras.
  • Minimum Height: 3'
  • Maximum Height: 5' 6"
  • Weight: 22 lbs
  • Mitchell Mount
 

Ronford-Baker Baby Legs (Mitchell)

Utilizing strength of the Standards for lower-angle shooting.
  • Minimum Height: 1' 8"
  • Maximum Height: 3'
  • Weight 11lbs
  • Mitchell Mount
 

Ronford-Baker Standard Rolling Spider

Carries virtually any weight and make of tripod; sustains rigid form and smooth operation.
  • Weight: 22 pounds (10Kgs)
  • Made from High Tensile Alloy
  • Folds flat and locks for easy transport and storage.
 

Hi-Hat (Mitchell)

Durable support for low-angle shooting.
  • Hight: 4.5"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
 

Low-Hat (Mitchell)

Reliable support for extreme low-angle shooting.
  • Hight: 1.75"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
 

CineSaddle

The CineSaddle provides a stable base that supports the camera.
  • Dimensions: 12" x 12"
  • Weight: 3 lbs
 

Element Technica Mantis Handheld System

The industry's most configurable and innovative shoulder mounting solution for film and digital cinema cameras.
  • Dovetail interface allows quick setup; 20 seconds from tripod to hand held
  • Multi axis adjustment allows shoulder pad to conform to any shoulder
  • Fore/aft linear adjustment shoulder pad
  • Designed specifically for Arriflex style Hybrid bridge plates (435, Arricam, Moviecam, Phantom, etc.)
  • Telescopic and rotating handle extensions
  • Mounting point for ViewFactor Origo remote start/stop button
 

Moose Bars

Double handgrip stabilization system for video - HD or RED cameras
  • High tensile aluminum
  • Soft foam grip handles
  • *Rods not included
     

Water Horns

The industry's most configurable and innovative shoulder mounting solution for film and digital cinema cameras.
  • Attach with no modification to the Quasar frame
  • Comfortable placement and grip
  • Supports the 3D rig at its center of gravity
  • Handy attachment points for monitors and camera accessories
  • Handles can be removed quickly if needed
  • Elegant contoured design
  • Machined, anodized aluminum construction
  • Cable-management clasp
 

Element Technica 12 inch Arri Dovetail

An improved version of the Arri standard dovetail compatable with our Hybrid system, and all other Arriflex standard bridge plates.
  • Outside edge matches with Oconnor heads replacing the Oconnor Euro quick release plate
  • Weight: 1.5lbs (.6Kgs)
 

Element Technica 18 inch Arri Dovetail

An improved version of the Arri standard dovetail compatable with our Hybrid system, and all other Arriflex standard bridge plates.
  • Outside edge matches with Oconnor heads replacing the Oconnor Euro quick release plate
  • Weight: 2.5lbs (1.2Kgs)
 

Element Technica Hybrid Bridge Plate (15 or 19mm)

A giant step forward in design and easily convertible between 15mm Studio, 19mm Studio, 15mm Lightweight, and the Panavision rod standards.
  • Weight 11.2 oz (318g)
  • Fully Modular
  • Converts to 19mm, 15mm, 15mm LW Rods
  • Supports Arri, RED Cameras, and many others
 

Element Technica EVF Mount

Heavy duty mount for the EVF.
 

Zacuto Zwivel EVF Mount

Heavy duty mount for the EVF.
 

Filmtools Junior Camera / DIT Cart

 

Yaeger Senior Camera Cart

A versatile and durable mobile camera station.
  • Built-in Mitchell mount
  • On-cart dovetail mount
  • Collapses into "Case Form" for easy transporting
  • Includes battery powered clamp-on work light
  • Has two baby spuds for monitor mounting
  • Heavy duty rubber wheels for on-location filming
  • Welded steel joints, for maximum weight capacity
 

Rubbermaid Camera Cart

A lightweight cart for easy maneuvering of camera gear.
  • Pneumatic swivel wheels with break-locks
  • Lightweight plastic body for easy off loading from a vehicle without a lift-gate
 

 

Sound Devices PIX 240 Monitor and Recorder

An onboard monitor and 4:2:2 recorder in one.
  • Records Audio from camera or from a direct line
  • Plays back recorded files
  • Takes files names directly from cameras metadata
  • Records Apple Pro Res or Avid DNX files
  • Outputs both Timecode and Genlock
  • Records to SSD Drives or CF Cards
  • View manual
 

TV Logic VFM-056W 5.6" Monitor

A lightweight field monitor for any application.
  • 5.6" Multiformat 1280 x 800 Resolution
  • Power using Panasonic or Canon batteries
  • Accepts HDMI/HD-SDI/Analog inputs
  • View manual
 

Marshall OR-70-3D 7" 3D Field Monitor

The world's first lightweight autostereosopic field monitor.
  • 7" Multiformat 1600x600 Resolution
  • 3G-SDI Input with Loop-Through
  • Dual Real-Time Waveform, Vectorscope and Image Processing Analysis
  • Precision white balance and gamma
  • Red/Green/Blue Mono Channel
  • Glasses-Free Display!
   
 
>

Panasonic 8" BT-LH80WP Monitor

Small size, many uses.
  • 800 x 480 pixel WVGA resolution panel
  • Displays 4:3 aspect ratio images
  • RS-232C and GPI remote control terminals
 

Panasonic BT-LH910 9" Monitor

A lightweight field monitor for 3D or 2D.
  • 9" Multiformat 1280 x 768 Resolution
  • 15:9 Aspect Ratio
  • W-LED Backlight
  • Focus Assist Option
  • Accepts HDMI/HD-SDI/Analog inputs
 

Transvideo CinemonitorHD 12" Monitor

A 12" 3D monitor ideal for technicians and assistants to guide stereography.
  • (2) HD/SD SDI Inputs
  • 1 Rck out
  • Weight: 8.07lbs (3660g)
  • Dimensions: 297mm x 255mm x 70mm
 

Panasonic BT-LH1710 17" Monitor

The classic HD director's monitor.
  • 17" Multiformat 1280 x 768 Resolution
  • Waveform monitor and vectorscope displays all picture lines (via HD-SDI / SDI input)
  • Marker and blue-only function
  • Durable, die cast aluminum frame
  • Quiet operation (No cooling fan)
 

JVC GD-463D10 46" Passive 3D Monitor

This 46' flicker-free 3D display is easy on the eyes and requires no battery-powered glasses.
  • 46" Passive 3D Monitor
  • High picture quality 3D display with eye-friendly circular polarizing technology
  • 1920 x 1080 LCD panel with Xpol¨ glass filter
  • Horizontal interleaving polarization method: Complements the side-by-side format and converts to line interlace (line-by-line)
  • Utilizes inexpensive disposable (passive) polarized glasses to watch 3D content
  • Can be used at anytime for conventional 2D display
 

Wevi Wireless HD Video Transmission

Free your operator from the cables binding them to the director/client monitor
  • Multiple video formats and profiles including 1080i/23.98PsF
  • Automatically detects between HD-SDI and SD-SDI signals
  • Transmission range of 150 feet line of sight or up to 100 feet through walls (actual range may vary depending on site conditions)
  • 2-channel embedded audio ensures no signal interference for complete audio/video synchronization
  • Uses integrated V-Mount for camera and battery connection; fully compatible with ENDURA batteries
  • Selection of 4 manual channel frequencies--ideal if operating multiple systems in close proximity
 

 

Tiffen 4x5.65 Filter

 

Tiffen 4x5.65 Clear Filter

 

Tiffen 4x5.65 HD Classic Soft 1/8

 

Tiffen 4x5.65 HD Classic Soft 1/4

 

Tiffen 4x5.65 HD Classic Soft 1/2

 

Tiffen 4x5.65 HD Classic Soft 1

 

Tiffen 4x5.65 ND 0.3 Filter

 

Tiffen 4x5.65 ND 0.6 Filter

 

Tiffen 4x5.65 ND 0.9 Filter

 

Tiffen 4x5.65 ND 1.2 Filter

 

Tiffen 4x5.65 ND 0.6 Soft Edge Grad Filter

 

Tiffen 4x5.65 ND 0.9 Soft Edge Grad Filter

 

Tiffen 4x5.65 ND 1.2 Soft Edge Grad Filter

 

 

Sennheiser Evolution 100 Series G3 Kit

Wireless audio for all your production needs
  • Includes receiver/transmitter sets, plug-on transmitter, and ME2 lavalier microphone.
 

Rode NTG4+ Microphone Kit

Beautiful directional audio with built-in battery
  • Includes microphone, foam windshield, Rycote Super Softie windshield
 

K-Tek Graphite Boompole

Lightweight and versatile
  • Includes boom pole, hard mic mount, mic shock mount, and C-Stand mount. Extends to 123" long./li>
 

KamCoat Camera Rain Cover

  • 100% Waterproof raincover
  • Secured under strong velcro closures
  • Elastic cords tighten around the lens and viewfinders
  • Fits the RED One with lens, and cameras of comparable size
 

Arri Directors Viewfinder

  • Look through lens without the need of a camera